Photography is my primary means of expression, and the theme of time lies at the core of my practice. Rather than seeing photography as a means of documenting the world, I am interested in it as a medium in which the time of the artist, the subject, and the photographic process converge.
Through the photographic image, I construct and represent a reality that is perceived, imagined, or shaped by inner experience. My approach, informed by the language of cinema, is based on the construction of the scene and of a suspended narrative time, open to the viewer's own reflections. Light and colour are not merely aesthetic elements, but narrative devices that give form to ideas, memories, and visions.
I work through projects, exploring themes that I feel compelled to investigate. My research examines the relationship between reality and fiction, representation and perception, language and time. My images create a space for contemplation and dialogue, inviting viewers to look beyond what is immediately visible.